Goreme Open Air
Museum, Cappadocia
Cappadocia's
most famous
attraction, for good
reason, is the
Goreme Open Air
Museum, a
complex of several
painted
cave-churches carved
out by Orthodox
monks between 900
and 1200 AD.
The Open Air Museum
is located in
Turkey's
Goreme Valley, a
15-minute walk (1.5
km/1 mile) from
Goreme and a
short ride (6.5 km,
4 miles) from
Urgup.
What to See
There are at least
10 churches and
chapels in the
museum area, each
one named for a
prominent attribute
by the local
villagers who were
exploring these
caves long before
there was an
entrance fee. The
best way to approach
the site is to begin
in a
counterclockwise
direction towards a
clearly marked path.
The paintings and
decoration represent
a flowering of a
uniquely
Cappadocian
artistic style.
During the
Iconoclastic period,
many of the frescoes
and paintings were
damaged, while the
eyes of the images
were scratched out
by the local Turkish
population
superstitious of the
"evil eye."
The
Byzantine
architectural
features of the
churches, such as
arches, columns, and
capitals, are
interesting in that
none of them is
structurally
necessary.
Past a small rock
tower or Monks'
Convent is the
Church of St. Basil,
whose entrance is
hollowed out with
niches for small
graves. This is a
common feature of
Cappadocian churches
and it's still not
uncommon to reach
down and come up
with a knuckle bone
every now and again
in the more remote
valleys. Another
recurring theme in
Cappadocian churches
is the image of St.
George slaying the
dragon. St. George
was considered a
local hero, as local
lore equated the
dragon with a
monster on the
summit of Mount
Erciyes. The church
is decorated with
scenes of Christ,
with St. Basil and
St. Theodore
depicted on the
north wall.
The Apple Church
(Elmali Kilise) is
one of the smaller
churches in the
area, carved in the
sign of a Greek
cross with four
irregular pillars
supporting a central
dome. The church was
restored in 1991,
but the frescoes
continue to chip
off, revealing a
layer of earlier
paintings
underneath.
Paintings depict
scenes of the
saints, bishops, and
martyrs, and to the
right of the altar,
a Last Supper with
the symbolic fish
(the letters of the
word fish in Greek
stand for "Jesus
Christ, Son of God,
the Savior"). The
name of the church
is believed to refer
to a reddish orb in
the left hand of the
Archangel Michael in
the dome of the main
apse, although
there's also
speculation that
there used to be an
apple tree at the
entrance to the
church.
Santa Barbara was an
Egyptian saint
imprisoned by her
father to protect
her from the
influences of
Christianity. When
she nevertheless
found a way to
practice her faith,
her father tortured
and killed her. The
Church of Santa
Barbara, probably
built as a tribute,
is a cross-domed
church with three
apses, with mostly
crudely painted
geometrical patterns
in red ochre
believed to be
symbolic in nature.
The wall with the
large locust
probably represents
evil, warded off by
the protection of
two adjacent
crosses. The
repetitive line of
bricks above the
rooster in the upper
right-hand corner,
symbolically warding
off the evil
influences of the
devil, represents
the Church.
The Snake Church is
a simple
barrel-vaulted
church with a low
ceiling and long
nave. One fresco
represents Saints
Theodore and George
slaying the dragon
(looking
suspiciously like a
snake), with Emperor
Constantine the
Great and his mother
Helena depicted
holding the "True
Cross." Legend has
it that she
discovered the cross
upon which Jesus was
crucified after
seeing it in a
dream, and that a
piece of the cross
is still buried in
the foundations of
the Ayasofya in
Istanbul. Other
sections of the
cross are in the
Church of the Holy
Sepulchre and in St.
Peter's in Rome.
Another interesting
portrait is the one
of St. Onuphrius on
the upper wall to
the right of the
entrance. The saint,
a popular subject in
medieval art, lived
the life of a hermit
in the Egyptian
desert near Thebes
and is usually
depicted with a long
gray beard and a fig
leaf over his
privates.